Conundrum In Deed : Band logo design

Conundrum In Deed is an exceptionally talented band based in the UK. Their (beautiful, insightful and exceptionally clever) lyrics are expressed in a musical styling that is a fusion of folk, progressive and psychedelia. So they approached me to design a logo that could concisely represent their music.

Initially I was inspired on the idea of an "impossible object" (cos that to me says "conundrum" right?). So I pitched the impossible cube shape - which they liked. Though their brief needed to include "psychedelia" with amorphous organic intertwining patterns (ie. vines, tentacles and bit o' paisley.)

Bandmate Greg Shields, inspired by the concept of an impossible object then suggested "An impossible cube rusting away in the middle of a psychedelic forest, with bare ground and in the middle of the cube a single 'Holy Flower'* wilting in the middle". *('Holy Flower' being the name of one of their songs).

Following that suggestion is a quick step by step look into how I came up with their final logo design...

Basic outline...

...followed by rough colour...

...FINAL LOGO!!

The band love the logo (WOOT and a pat on the back to moi!) 

Already a fan has commented on their new logo as being:

"The love child of Escher and a tripper at Woodstock" (Tee hee, awesome!) 

To hear some of their music, click here 

(My personal favorite song of theirs is "Laughing Man")

My favorite caricatures (and commissions)

Poster Concept: Adelaide Fringe 2010

For a bit o fun I entered the Adelaide Fringe 2010 poster competition in September last year.

Having attended the Fringe before, I felt it to be a Festival that offered a lot in terms of fun, entertainment and atmosphere. Thus my concept was based upon the idea of “Adventure and Fun for the Senses”.

The outcome? Well I didn’t win… this time.

I realise I missed a very important detail – it was the Fringe’s 50th year. A very important milestone and very important marketing angle for the Festival. Silly Lucy. So I appreciate the relevance of the winning entry.

(I still feel my poster is pretty cute though)

One commission, two commission, three commission MORE!

Below is a selection of past painting or portrait commissions I've had in the last two years.

Click on any photos to view larger

Some are wedding presents, some are birthday presents and some are just personal and special gifts.

Flirty Fleur

A lot of my work is inspired by my friends and people I know. Fleur is someone I've known seemingly forever. However, unlike most of my subjects, Fleur actually asked me to paint her - "when are you going to paint me?" .... so I did:

Click on the photo to view larger

This piece is called "Flirty Fleur" as I intended it to capture her very social personality. Is she toasting the viewer or accepting a free beer that happens to be coming her way?

Mum

This is a very personal piece. It’s a tribute to my mother who passed away from bowel and liver cancer in 2002. She was a strong and beautiful woman whose love was unconditional and everlasting.

Click on the photo to view larger

In this painting her spirit is represented in the form of a Ghost Gum with strong branches that support the family she made for herself – My dad, my sister and myself.

Represented on the ground below is the unfortunate “family politics” that occurred as a result of her passing.

We still mourn her and miss her everyday.

Comics and "Drawing Jams" and Astérix

Something that I would like to do more of is comic book/strip art.

It's an art form I really enjoy and admire. I learnt to read as a child with comic books and magazines - which is how I became a big fan of Astérix and Mad Magazine, two publications that I feel have influenced my drawing style.

It's a dream of mine to one day have enough really good work that I could publish my very own graphic novel *sigh*.

This fantasy is further fueled by, what I call, "Drawing Jams" with talented cartoonists such as Ben "Hutcho" Hutchings, and David Blumenstine. Two comic book artists with very different and distinctive styles, but both very focused.

They're very inspiring really *double sigh*

The strip I did below was essentially an exercise to test my "line work". I wanted to do something that was fine lined and looked finished. I'm pretty pleased with the result (and I think you can also see the Uderzo influence)

A dark piece and yes a bit gross, I call this strip DIY Heartbreak and I dedicate it to anyone who's ever had their heart broken.

For me though, this strip was more about wanting something so badly but feeling I have no control on its outcome: "Fine! I'll save myself the wait of disappointment and stomp on my heart right now! That'll save us all a lot of time! That'll show 'em!! So there!!" (etc. etc.)

*triple sigh*