Maam Alien: The lost pages (part iii of iv)

So I'm like (totes) having a solo show next month (yay!) and as a lead up I've been posting these old comic strip cartoons I wrote and illustrated cos they're complimentary to the subject matter of the show.... kinda. Exhibition details are: 

                    
 Opens 6 Jul at 6pm and runs to 26 Jul 2012 @ Brunswick Street Gallery

322 Brunswick St, Fitzroy. (Cnr Argyle St) 

Hrs Tue to Sun 10am-10pm 

0419 390 478 

mark@bsgart.com.au 

www.brunswickstreetgallery.com.au

Below is the second of three comic strips I did for the original Mammalien exhibition back in 2009 (to view first click here):

Maam Alien: The lost pages (part ii of iv)

The first of three comic strips I did for the original Mammalien exhibition back in 2009:

If you would like the opportunity to come see the original and unframed paintings (plus more art works) before they get scooped up and sold to savvy buyers and clever investors forever and EVER... here are the details:

Opens 6 Jul at 6pm and runs to 26 Jul 2012 @ Brunswick Street Gallery

322 Brunswick St, Fitzroy. (Cnr Argyle St) 

Hrs Tue to Sun 10am-10pm 

0419 390 478 

mark@bsgart.com.au 

www.brunswickstreetgallery.com.au

Maam Alien: The lost pages (part i of iv)

Back in August of 2009 I had my very first ever opportunity to exhibit my art work in a real gallery as part of a real group show (Très exciting!) 

The show, "Mammailan", included the artistic talents of Elspeth McIntosh and Emma Kirsopp as well as myself. Initially when we had decided on the show's theme/topic/title I had absolutely NO idea what to do.... until I talked about it with my friend Greg Shields who (brilliantly) gave me the idea of creating an alien with lots of  boobies

Booooooooooooooooobs (boobies, titties, knockers etc etc.). 

...So I did.

The result I eventually came up with was a hypothetical superhero/pin-up alien girl who featured as the hero in a comic book series. This was exactly how I executed each painting on canvas, as the front cover of a comic book (sounds awesome right?). 


To add to the exhibition I also wrote and inked several short comic strips and illustrations to accompany each painting, so the effect would be that of a full colour comic book cover and a sample of the pages inside. Clever no? Well interesting anyway. (See below: there are 2x "potential-would-be" inside comic illustrations.) 

As of today I was been offered the opportunity to re-exhibit the original paintings from that show, (plus other works) which is kinda exciting.  I mean, come on! - A superhero/pin-up alien girl covered in boobies and the hero in her own comic book series - that is AWE(wait for it)SOME!!

If you happen to be keen/curious to check the exhibition out:

Opens 6 Jul at 6pm and runs to 26 Jul 2012 @ Brunswick Street Gallery

322 Brunswick St, Fitzroy. (Cnr Argyle St) 

Hrs Tue to Sun 10am-10pm 

0419 390 478 

mark@bsgart.com.au 

www.brunswickstreetgallery.com.au 

"It's like parting the sea like Moses, and look no hands!"

"No thanks. I don't do H1N1"

Hot! Hot! Hot!

OMG! Am officially a published children's book illustrator! Pretty damn proud.  Woot!

Media Release:

FOR IMMEDIATE RELEASE

A DRAGON CALLED WILBUR:

HOW A FIRE-BREATHING DRAGON MADE FRIENDS

Long ago in a land far away, in an age when people believed in magic, there lived A Dragon Called Wilbur. Now Wilbur was a very lonely dragon, because everyone was afraid of him. What could Wilbur possibly do to make friends? This lonely dragon believes that if he can alter his behaviour and convince his neighbours that he is not dangerous, he can become a valued part of the village. By doing this, Wilbur can make a big difference in his community. Hopefully, he will also make friends and will no longer be lonely. Can Wilbur convince everyone that dragons are not so scary after all? This uplifting children’s book sends a positive message about outsiders wanting to belong.

About the Author:

Bronwyn Heeney lives in Cranbourne North, Victoria, Australia, and is working on future books.

A DRAGON CALLED WILBUR: HOW A FIRE-BREATHING DRAGON MADE FRIENDS

(ISBN: 978-1-61204-803-1) is now available for $20 and can be ordered from Amazon.com and BarnesAndNoble.com.

If you'd like to see more of the book's inside illustrations, click here

Bringing "Batmania" to Melbourne (for the kids)

Open House Melbourne is a not-for-profit association that runs annual events providing the public a  free and rare opportunity to discover a hidden wealth of architectural, engineering and historic buildings nestled around the city. Earlier this month they released a creative brief inviting designers and illustrators alike  to help design their 2012 Children's Program with fresh new ideas.

I couldn't help myself. The moment I looked over the brief my imagination ran wild and inspiration punched me in the face so hard my jaw still hurts!

Below is my response to the brief:

(Potential Front Cover, A5 full colour, with space around edges to include appropriate logos)

Brief character description and explanation. 

I like the idea that the title "Batman, the Busker and Freddie Square" kinda sounds similar to a title of a Harry Potter book, ie. "Harry Potter and the Prisoner of Azkaban", I dunno - there's a similar ring there somewhere... 

John Batman is a super significant historical figure in Melbourne's history. Rumor has it there was a time when Melbourne was almost called Batmania! (How cool! - Regardless if it's true or not). Anyway, I figure the name 'Batman' will generate attention anyway cos it conjures up the idea of Batman the Comic Book Hero and I think having the "ghost" character makes it all more interesting for kids. 

The Busker, had to be a chick cos then the characters would be too male heavy and every little girl that potentially picks up this program (if my idea is selected) is gonna think "she's pretty, I like her". 

Freddie Square, obviously named after Melbourne's Landmark Federation Square. He is the "new" to balance Batman's "old". He's small and and cute like Danger Mouse's side-kick Penfold, but not nearly as annoying and stupid, in fact he is to the contrary.   

Regardless of whether my idea gets picked up or not, I think this concept, illustration and execution is mighty fine and I'm damn proud. Defo (totes, fur shiz) a work for the folio.

D'oh! 2012 Paul Guest Drawing Prize... fail.

Below are the two unsuccessful entries I submitted into the 2012 Paul Guest Drawing Prize.

(to see illustrations larger, just click on the image)

Today I got "the letter", you know, the "form" letter that says "Thank you for your entry"... (blah blah blah)... "We had lots of entries this year"... (blah blah blah)... "all of a high quality"...(blah blah blah)... "Unfortunately this year you were unsuccessful in being selected"... oooouch! (that's the sound of being metaphorically punched in the guts. It's the sound of rejection.)

But hey, rejection happens and when you think about it, it's kinda nice that the competition judges sent a letter as courtesy. It's an answer and I have closure. I can appreciate that.....(there's no denying that the rejection still kinda stinks though.)

So back to my sad and unloved entries for 2012. Let's be honest. They're not great. They're not amazing. However I do think they're quirky and original concepts. Sadly these pieces just aren't screaming wicked mad talent! This girl Lucy is ammmaaaaaaazing! ... and that's cool. That's fair. (Ha! Just wait until I am famous!)

The last entry I did for Paul Guest  in 2010, I worked my arse off on that piece. I put my heart, soul and failing eye sight into that piece of work. Hours upon hours of meticulous pencil work... Tragically also unsuccessful in being selected *sigh*. So I guess I kinda decided to go complete 'opposite' in terms of effort this year. Instead, this year I submitted two blue biro pen illustrations I'd conceived subconsciously while talking on the phone! Yay Joe effort!

I'll enter the Paul Guest Drawing Prize again, and next time my entry will be selected, I'm feeling pretty confident on that.

Just a last wee footnote though, the piece I slaved over for the 2010 competition was eventually acquired by the Bendigo Historical Society annnnnnd is currently the most viewed illustration in my flickr account. So not all bad. Not bad at all.

Woot!

Robe Commission

It has been a long while between posts and the reason for this is I've been busy with a number of commissions - awesome! One of which I'm prepared to show a sneak peak at its progress thus far.


The pics below belong to a finely detailed painting that I've been working on for the last couple of months. The subject being "A busy beach scene in Robe" (Robe is a town in South Australia).

As you can see, there is still much work to be done - but I'm happy with it's direction.
(Click on any of the pics to view larger)

Lateness ain't funny.

The Melbourne International Comedy Festival, a.k.a. MICF, is one of my most FAVorit-est festivals in the whole wide world! (And I know there’s no such word as “favoritest”, but I don’t care. So there!)

I love MICF so much that when I was at uni I even approached them to do an internship… which didn’t work out (cos they don’t take interns, hence the high quality of the Festival). Few years later MICF offered me a ticketing gig at the main box office and various satellite venues about Melbourne, this year will mark my fifth year working for the Festival.

One of the many reasons why I love the Festival is the people: the customers, the comedians and of course the Festival staff. However…. One of my BIGGEST Festival “bug-bears” is…. Latecomers.

People who come late to shows get under my skin. A latecomer disrupts or delays a show. This in turn irritates other patrons. It irritates and distracts the comedian on stage (and probably hurts their feeling, as they work really hard on their material!)

I get why lateness happens, ie. Problems with transport or another show went overtime (probably cos it was delayed by a latecomer!) or a last minute ticket purchase followed by mad dash across town to get to the show’s venue on time etc, etc. There are many many reasons why people arrive at shows late. Though I still think that patrons should be mindful and a little more organised, I mean you wouldn’t be late to the Opera or the Cinema… so why should stand-up or a comedy show be any different? 

I’m thinking, perhaps the MICF could do with an ad campaign, like the ones you see in drive-ins or retro cinemas ie. “Turn off your phone” etc. But this campaign would illustrate the benefit of getting to a show on time. Sure, we already know the benefit, but sometimes it’s nice to actually read/see them to be reminded.

So I approched the very talented Mark Campbell of “Folding for Air”, “Running Away With The Circus” and “Souls on Board”, a talented songwriter and gifted Copywriter. Together we came up with several concepts, two of which are below.

(click on images to view them larger)

The two executions, one a full-page print ad and the other a half page print ad. I’d envisage them to potentially be in the Festival guide or maybe a poster at a MICF venue. If a campaign with this SMP (Single Minded Proposition) was picked up, I think a small animation on the Festival’s website would also be great! And if money was no object…. A cartoon TV commercial! It’d serve both as a “Community Service Announcement” ad and the Festival’s own current campaign.   

If I were going to do these executions again, I’d probably go for a more “vintage” “retro” look ie. Drive-in theatre ads. Or perhaps even a “Leunig-esque” style/influence? (Michael Luenig’s illustrations are used every year by the MICF).  Still, this exercise was designed mainly to communicate the idea of encouraging Festival patrons to be more mindful of showing up on time to shows. 

Hmmm, I wonder if these would work?

Mario: Portrait of a Portrait

Starting the year by finishing my first commission for 2012! 


For something different, I was requested to do this painting outside my usual cartoony, exaggerated "Lucy" style. A challenge - but I thought I'd give it a go. Below is the finished result (and below that, preliminary "study" sketches)  

    

Coloured caricature commission

CHECK-ME-OUT! Feelin a bit proud. Feelin a bit "I'm totes awesome". Feeling just too damn cocky to be honest. Yay me!

Below is a full colour commission I've just recently completed. Please bare in mind I'm still very VERY new to the world of digital illustration, so my skills are like that of a young child compared to the masters who do this professionally.

Still... I think what I've been able to achieve is still pretty great, and I can only go up from here. Go me! (Am now grinning like an idiot)